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Pride and Prejudice hardcover book on wooden desk with coffee cup and bookshelf
UPDATED JUN 2026
100+

Brands Ranked

69

Pages

9,800

Keywords

10

Min Read

100+ Brands Featured

Waterstones logo featuring a large "W" above the brand name, suitable for search marketing insights.
Wob logo featuring an open book with a globe design, relevant to search marketing context.
Bloomsbury Publishing logo featuring a leaping deer with text below.
Faber logo on Salience post, marketing agency context
AwesomeBooks logo with tagline "Making an impact with every book" in blue text.
Barnes & Noble logo in dark blue text on a white background.
-5.00%

Market visibility

536,242

Top visibility score

+3.84%

Biggest grower

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I was extremely impressed with the insight and depth of analysis in the Salience Report... The data-driven analysis tracking visibility, authority, links, page speed, search volume, keywords, and more paints a detailed picture of brand performance and emerging trends. The team was delighted to be featured.

The Salience Booksellers Index

The UK's No.1 Booksellers Industry Report

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Across 275 UK bookseller brands, search visibility fell 5.00% year-on-year between May 2025 and May 2026. The top-line figure reads like a quiet year, the kind you could file under normal seasonal variation. Underneath the average, two groups of booksellers moved in opposite directions over the twelve months. The line dividing them follows the business model each one runs, and company size did not predict which side a brand landed on.

Second-hand, discount and aggregator sellers declined together. World of Books lost 36.45% of its visibility, falling from 138,653 to 88,110 monthly visits — a drop of 50,543, the largest single decline in the dataset. AbeBooks fell 25.77%, Books2Door 26.54%, the Oxfam online shop 23.26%, ThriftBooks 68.50% and Wordery 64.64%. Removing World of Books, the largest faller, still leaves five brands sharing one business model each down between 23% and 69% on their own numbers, so the decline belongs to the whole second-hand and aggregator segment.

Branded full-price destinations and publishers moved the other way against that same negative market. Waterstones held at -3.58%, still rank 1 and 1.42 points ahead of the market. The Works grew 3.84% to 359,397 visits. Forbidden Planet added 11.20%, HarperCollins 22.65% and Usborne 37.78%. The brands that grew through the downturn share one trait: readers search for them by name, so a cheaper rival result has nothing to substitute.

The two branded leaders are pulling further ahead of the field. Waterstones holds 536,242 in the index and The Works 359,397, a combined 895,639 visits between the two of them. Both beat the -5.00% market change over the year: Waterstones at -3.58%, 1.42 points ahead, and The Works at +3.84%, a clear 8.84 points ahead.

The brands sitting at ranks three through seven are all used or aggregator models, and every one of them lost ground over the same period. The visibility they shed is moving up the table toward the two destinations customers already know by name, and over the year the gap between the two leaders and the price-led sites beneath them widened.

The Works and Waterstones do slightly different jobs, which matters for anyone benchmarking against them. The Works is a value retailer selling books alongside stationery, toys and craft, and it carries 673,000 monthly brand searches, the largest brand-search figure in the index and roughly eight times World of Books’ branded demand. Forbidden Planet’s 11.20% rise sits on the continued strength of manga, graphic novels and fandom editions, where the buyer wants a specific shop and shops less on price. That named demand is the asset carrying the chains through a negative market.

Brand Visibility YoY Change Vs -5% Market
Waterstones 536,242 -3.58% +1.42
The Works 359,397 +3.84% +8.84
Forbidden Planet 48,031 +11.20% +16.20

The clearest illustration of what changed over the year sits in the gap between review counts and search rankings. ThriftBooks carries 2,804,927 customer reviews at an average of 4.7 stars, one of the strongest review profiles of any bookseller in the dataset. Over the twelve months it lost 68.50% of its search visibility, falling from 13,604 to 4,285 monthly visits. The Works, recorded at 1,381 reviews and 1.9 stars, grew 3.84% over the same period. Review volume and star ratings, which used to track loosely with search performance, no longer earn ranking positions on their own in this category.

Two duller explanations sit underneath the headline before anyone reaches for review counts. ThriftBooks and AbeBooks’ .com domain are both US-based and both fell by roughly two-thirds, which is consistent with Google preferring UK retailers for UK searchers. And much of the second-hand cohort’s traffic came from generic title queries — a specific title plus “used”, “cheap” or “second-hand” — that marketplaces such as Amazon, eBay and Vinted now answer inside apps the reader already has open.

The practical reading for a discount or second-hand seller is that piling up reviews will not defend a ranking position here. World of Books still draws 246,000 monthly brand searches and carries 519,774 reviews at 4.6 stars, so shoppers plainly know and trust it, and its visibility still fell 36.45%.

Brand Reviews Avg Stars Visibility YoY
ThriftBooks 2,804,927 4.7 -68.50%
World of Books 519,774 4.6 -36.45%
The Works 1,381 1.9 +3.84%
Usborne — — +37.78%

The decline in the aggregator cohort lines up with how title-level book queries now behave in the results page. A search for a specific book title is among the most substitutable queries in retail: the reader wants a known item and a dozen sellers can satisfy it, so the cheapest listing usually won the visit. Those queries were the foundation the aggregator visibility model was built on. More of them now resolve inside the results page itself, through AI Overviews that summarise availability and price and through Google’s shopping and merchant surfaces, so the organic visit that used to land on an aggregator’s product detail page increasingly does not happen.

Branded search behaves differently. A reader typing “Waterstones” or “Forbidden Planet” has already chosen where to buy, an AI Overview has nothing to substitute, and that demand held up across the year.

For a discount or second-hand seller, competing harder on the same substitutable title queries is unlikely to bring the traffic back. The brands that grew built enough recognition that readers search for them by name, and they invested in category pages and content covering authors, genres and recommendations rather than thin product detail pages. The publishers that grew, HarperCollins and Usborne among them, sell direct and own the canonical page for their own titles, which is the page an AI Overview tends to cite. For a retailer competing against those publishers, the question worth answering is what its page offers on an author or title search that the publisher’s own page does not: range, availability, curation, editions.

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We refresh every report twice a year. The 2026 Online Booksellers Index uses data collected in February 2026, for the period Feb 2025-Feb 2026.

Unfortunately, due to the nature of the beast, we cannot gather data for every single website that ranks for a booksellers keyword and considers itself a booksellers brand. We rank the 100 largest by organic visibility in the UK. However, if yours isn’t there, we’re more than happy to gather some data for you using the full range of tools at our disposal. If you’d like custom data, get in touch.

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No. We are committed to making this report the single best free asset for in-house booksellers marketers. Our sector reports are far removed from a lead magnet. That said, it’s impossible for us to share all the insights that can be gleaned from the data in the PDF alone. We will follow up with additional analysis, written by us, sharing our thoughts on the data based on our 15 years of experience as the search agency behind some of the UK’s biggest brands. This often includes analysis of where search marketing is going within the industry and brand spotlights, where we break down why we think certain brands are doing well. We maintain that you can unsubscribe from this additional content if you wish. It will never be a sales push, only ever added value.

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Pride and Prejudice hardcover book on wooden desk with coffee cup and bookshelf